“The Godfather of Chicago Footwork”

Arpebu a.k.a. RP Boo

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auranautik4:

Above & Beyond LP

DJ Earl

Footwork on üsna vana žanr, esimesed viited juke’ile pärinevad tegelikult juba 90. lõpust, nagu ka see sünkopeeritud 160 bpmi struktuur, mis praegu nii unikaalne tundub. Ühtlasi on ka need kujud, keda praegu maailmas kõige rohkem hinnatakse nagu Rashad, Spinn & Traxman kõik vanad olijad. Lisaks on aga Chicagos rida andekaid noori talente, kes on selle stiili suutnud kiiremas korras omaks võtta. Tuntuimad nendest on DJ Manny ja DJ Earl

*(English translation strait outta Google Translate)

Footwork is quite an old genre, the first indications from the fact, already the 90th juke’ile end, as a syncopation structure 160 bpm, which now seems so unique. It is also in these figures, the most in the world who are currently assessed as Rashad, Spin & Traxman all the old hands. In addition, however, is in Chicago line of talented young talents who are able to style it a matter of urgency to embrace. The best known of these is the DJ Manny and DJEarl.

Kui XLR8R ja FACT on viimasel ajal eeskuju näidanud ja võrdlemisi palju footworki kajastanud, siis Earli nad minu teada veel maininud pole. Aga ma usun, et lähiajal see muutub, sest ta on natukene liiga andekas, et teda niisama eirata, pealegi on ta TEKLIFE ja teadupärast TEKLIFE run this hoe.

If XLR8R and FACT have recently shown an example quite a lot and footworki out, the Earl of my knowledge they have not yet mentioned. But I believe that this will change soon, because he is a bit too talented to just ignore him, moreover he is known and TEKLIFE TEKLIFE run this hoe.

Viimane positiivne kokkupuude Earliga oli see sett, mis ta Manny’ga Warzone’is ( footwork battle’i asukoht) tegi ja mida ma veel kolm kuud hiljem vahel autos kuulan. Üks selle seti silmapaistvamaid lugusid “Open Up the Circle” on ka Earli uue LP peal koos terve rodu muude aaretega.

Last Earl’s positive exposure was set, which Manny’s Warzone (Battle footwork location) and what I did three months later, between the car listening. One of the most remarkable stories that set the “Open Up the Circle” is the Earl’s new CD title with a covey of other treasures.

Earli saundis on küllaga seda minimalistlikku ja jäika biidistruktuuri, mis mind Teklife’i suuremate nimede juurde tõmbab, mis teda eristab aga on ta sündipresetid, mis on oluliselt kurjema kõlaga kui tavaliselt footworkis kuuleb. Lood nagu Studio73 ja Futuristic on peaaegu et gootilise maiguga, mida tavaliselt footworki lugude kohta öelda ei saa.

Earl’s sound is so plentiful and tight minimalist biidistruktuuri that pulls me Teklife’i bigger names, but what distinguishes him is his sündipresetid, far-sounding than usual kurjema footworkis hears. Tracks such as Studio73 Futuristic and is almost a taste of the Gothic, which usually can not footworki stories to tell.

Ja siis on lood nagu C’mon Back oma ülikompleksse biidi ja üles kiirendatud vanakooli naisvokaaliga, mis on pesuehtsad näited vanast heast teklife footworkist, millest mul kunagi vist küllalt ei saa. Kokkuvõttes on tegemist ülihea LP’ga ja praegu on viimane hetk Earl bandwagoni peale hüpata, sest tal on veel väga tasemel riliisse tulemas Lit City alt ja seega kuuleb temast veel palju. Praegu saab veel öelda, et tegemist on obskuurse nimega.

And then there are stories like his ülikompleksse c’mon back and beat up old-school accelerated naisvokaaliga that are genuine examples of good old washing teklife footworkist, which I never quite guess not. All in all, a superb LP and this is the last time Earl bandwagon after the jump, because he is still a great level rise coming from Lit City and hear so much about him yet. Currently, you can still say that his is an obscure name.

Above and Beyond LP saab osta digitaalkujul osta SIIT

Above and Beyond CD can be purchased in digital form to buy HERE

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